Le Pentagone et la CIA enrôlent Hollywood

Les films de guerre américains, comme "La Somme de toutes les peurs", où des terroristes font exploser une bombe nucléaire, font apparaître les liens étroits et renforcés, depuis le 11 septembre, entre l'industrie cinématographique et des autorités soucieuses d'améliorer leur image.

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The lesson Hollywood cannot teach us

Hollywood knows that where there’s a good story, there’s money to be made from us – audiences only too happy to be outraged at injustice but also only too wiling to believe such “ancient” injustices offer no lessons for the present.For that reason, it is doubtful Kill the Messenger’s viewers will emerge from the film more critical news consumers. They will still trust their daily paper and the TV news, and still assume that when all the president’s men tell them of events on distant shores – from Venezuela to Iran, Syria and Ukraine – they are being told the unvarnished truth.

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Alan Moore: why I turned my back on Hollywood | Books | The Observer

Every film is a remake of a previous film, or a remake of a television series that everyone loved in the 1960s, or a remake of a television series that everyone hated in the 1960s. Or it's a theme park ride; it will soon come to breakfast cereal mascots.

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